Deborah Yaffe

Blog

Fragments of news, news about fragments

By Deborah Yaffe, Jun 27 2019 01:00PM

The Janeite word of the moment, it would appear, is “fragment.”


* Last week, Jane Austen’s House Museum launched an urgent appeal for donations to fund the purchase of a recently rediscovered portion of an 1814 Austen letter.


* A few days later, the British broadcaster ITV released tantalizing on-set photos from its shoot of Sanditon, the upcoming eight-part television mini-series based on the novel Austen left incomplete upon her death in 1817.


* And yesterday it was announced that playwright Laura Wade’s much-praised theatrical version of The Watsons, an unfinished novel that Austen abandoned around 1805, will have a London premiere this fall.


Among these three fragments, the Austen letter is the least mysterious, since it comprises the lion’s share of a text that was published in full before its physical pieces were dispersed. By contrast, no one knows how Austen planned to finish The Watsons and Sanditon (although I’ve reviewed later efforts at completions here and here).


Given this built-in uncertainty, it’s no surprise that the current adapters felt free to take some liberties. Sanditon screenwriter Andrew Davies is apparently bringing us a rollicking melodrama that, judging from the photos, will feature the gorgeous production values and even more gorgeous actors we’ve come to expect from the company that brought us Downton Abbey. The British air date is sometime this fall; Masterpiece, which will air the show in the U.S., has not yet announced a schedule.


Wade’s theatrical version of The Watsons, which was produced last year at a theater festival in southeast England, takes a different tack, making post-modern hay out of the Pirandello-esque concept of literary characters left stranded in an unfinished work. Wade herself – or, at any rate, a writer named Laura -- shows up to debate matters with her heroine. The reviews were great, and if I had any chance of being in London between September 20 and November 16, I’d be first in line when tickets go on sale next week. Since that, alas, cannot be, I'll rely on blog readers to report back.



Add a comment
* Required
Quill pen -- transparent BookTheWriter transparent facebook twitter