Deborah Yaffe


By Deborah Yaffe, Dec 7 2017 02:00PM

How time flies.

It’s been exactly a year since a Scottish art gallery announced that Graham Short, an artist known for his teeny-tiny masterworks, had engraved miniature portraits of Jane Austen on four Winston Churchill £5 notes.

As blog readers will recall, in a deliberate echo of the Golden Ticket sweepstakes in Roald Dahl’s Charlie and the Chocolate Factory, Short spent the notes in cafés throughout Britain and challenged the spending public to find these needles in the currency haystack. Breathless press reports speculated that, based on the prices Short’s earlier work had commanded, the embellished fivers could be worth as much as £50,000 ($67,000).

Given the amount of currency out there, I was skeptical early on that these four prized portraits – Jane Austen in her familiar cap, encircled by a quote from one of her novels – would ever turn up. Then, in relatively short order, three did. Two of the lucky winners decided to keep the notes as souvenirs; the remarkably generous third winner donated her fiver back to the gallery, with a request that it be used “to help young people.”

Tomorrow, that wish will come true, when the fiver – this one bears the Pride and Prejudice quote "To be fond of dancing was a certain step towards falling in love" -- is auctioned off. The auction will benefit BBC Children in Need, a charitable arm of the venerable broadcaster, which makes grants to projects aimed at helping disadvantaged children and youths. Just incidentally, the auction will also provide the first gauge of the Austen fivers’ actual market value, as opposed to their entirely speculative, reporter-determined value.

In July, to commemorate the bicentenary of Austen’s death, Short donated a fifth embellished fiver for display at the Jane Austen Centre in Bath. Meanwhile, one last note remains undiscovered somewhere. Check your piggy banks, Brits: you could have a surprise holiday gift in there.

By Deborah Yaffe, Apr 20 2017 01:00PM

The Roald Dahl-flavored tale of the four specially engraved, possibly valuable Jane Austen £5 notes continues to be The Story That Will Not Die (aka The Gift That Keeps On Giving, at least for journalists -- and bloggers -- casting about for material).

Since late last year, when artist Graham Short embellished four Winston Churchill fivers with Our Jane, portrayed in one of his trademark teeny-tiny engravings, and then released the specially decorated notes into the British money supply, we’ve had exciting discoveries, selfless donations, copycat engravers, and a false report of a fifth Golden Ticket on the loose.

But wait! Not entirely false, it turns out. Last month, Short revealed that he had recently visited the Jane Austen Centre in Bath, England. A flurry of speculation ensued. Had he paid for his tea and tour with a previously unknown Austen Fiver? Were there not one but two genuine Short Austens still out there to be discovered and cashed in?

Well, it turns out that there is a fifth Austen micro-engraving, but in keeping with the unaccountably charitable bent of everyone associated with this story, Short is donating it to the Jane Austen Centre, where it will be displayed after the formal presentation on July 18, the bicentenary of Austen’s death.

Somehow, it seems appropriate that this completely artificial Austen artifact, created with one eye (at least) firmly fixed on the publicity it could generate, should end up on display at the Bath Jane Austen Centre, Ground Zero for commercially motivated Austenmania.*

* Not that there’s anything wrong with that! I’m all in favor of clever artificial Austen artifacts. Like, for instance, the set of Jane Austen Top Trumps that I recently acquired from the Bath Centre. . .

By Deborah Yaffe, Mar 30 2017 01:00PM

Just when you thought everyone had forgotten about the final Jane Austen Mystery Fiver – the still-missing British £5 note engraved with a tiny portrait of Our Jane – comes word that a copycat engraver may be out there muddying the waters.

You will recall that, late last year, Graham Short, an artist specializing in tiny engravings, embellished four £5 notes with Austen portraits and quotes and then secretly released the notes into the vast sea of British currency. By now, three of the four have been found, but one is still out there somewhere. The press speculates, based on the prices of Short’s past work, that the Austen notes in this Regency Roald Dahl story could be worth as much as £50,000.

Given the hysterical excitement that greeted this stunt, perhaps it was inevitable that a prankster would decide to mess with our collective heads. And so it was that last week, a businesswoman in the Leicestershire town where the missing fiver was originally spent happened across what she thought was the elusive quarry.

Winston Churchill £5 note? Check. Tiny portrait of Austen right there next to Big Ben? Check. Quote from Pride and Prejudice? Um – nope. Instead of Elizabeth Bennet’s immortal words “I hope I never ridicule what is wise or good,” a rather more prosaic sentiment encircled Tiny Jane: “Look for serial number AL22171910.”

What this means is anyone’s guess. Is this the serial number of a different bill destined to play a role in some new literary scavenger hunt? Is it a strangely opaque advertising ploy? Is it even a real serial number? It’s all starting to look less like a novel by Jane Austen and more like one by Agatha Christie.

By Deborah Yaffe, Feb 23 2017 02:00PM

I clearly don’t have much of a future as a soothsayer.

Back in December, I predicted that it could take many, many months for lucky Brits to find the four probably-quite-valuable £5 notes specially engraved with a tiny, hidden portrait of Jane Austen.

The first one, which engraver Graham Short had put into circulation in Wales, turned up the day after I made that confident prediction. The second was discovered in Scotland a couple of weeks later. And we learned this week that the third has now been located in Northern Ireland. So I’m officially out of the forecasting business. When will someone discover the final note, probably circulating somewhere in England? Don’t ask me. Really, don’t.

This Regency-themed version of Roald Dahl’s Golden Tickets, you’ll recall, began last December, when a Scottish art gallery commissioned Short to embellish a handful of the new Winston Churchill £5 notes with an Austen portrait encircled by an Austen quote. The stunt/art project commemorates this year’s bicentenary of Austen’s death, a few months ahead of the planned release of Austen’s more official currency portrait, as the face of the new £10 note.

Short’s painstaking work – he once engraved the Lord’s Prayer on the head of a pin – sells for tens of thousands of pounds, and so the British press has decided, based purely on speculative extrapolation, that each of the special fivers is worth £50,000.

The record so far suggests that your average Brit is less avaricious than, basically, any other human being on the planet. The finder of one of the Austen notes decided to frame it and keep it as artwork. A second passed it on to her granddaughter. And the latest mailed it back to the Scottish gallery. “I don’t need it at my time of life,” the anonymous finder wrote in an accompanying note. “Please use it to help young people.” (Plans are to auction the fiver to benefit a children’s charity.)

Given these precedents, if the finder of the last note sells it on eBay and blows the proceeds on a fabulous vacation, he or she might look a bit. . . shallow, don’t you think? Talk about pressure.

By Deborah Yaffe, Jan 5 2017 02:00PM

For the past month, I have attempted to cultivate an air of studied indifference to the story of the Priceless Fivers – the four British £5 notes, embellished with a tiny Jane Austen portrait engraved by artist Graham Short, that a Scottish gallery put into circulation in early December.

But the truth is I’m just as entranced by this Regency Golden Ticket game-cum-publicity-stunt as the next grownup who still remembers her first read of Charlie and the Chocolate Factory. The proof lies in the way my heart leapt when I learned that the fiver put into circulation in Scotland has been found, two weeks after the Welsh note turned up.

The Scottish note was tucked into a Christmas card. The recipient checked for the Austen portrait just on the off chance – and there it was. Apparently, the sender had no idea his/her gift could be worth much more than £5 -- though I continue to insist that there’s very little basis for speculation that the notes could be worth as much as £50,000.

In any case, financial speculation seems to be moot: the recipient plans to frame the note and hang it on a wall.

Meanwhile, the notes put into circulation in England and Northern Ireland remain out there somewhere, and so far, it looks like my guess that it might take months, even years, for the fivers to surface was wildly off-base. I could pretend that I won’t care when the last two turn up. . . but that would be a lie.

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