Jane Austen’s books feature plenty of quietly competent women going about their work with minimal fuss – and, sometimes, minimal appreciation from others. Think of Elinor Dashwood, Anne Elliot, Fanny Price – even Miss Bates and Charlotte Lucas.
So it seems appropriate that my Jane Austen Google alert should recently have reminded me of two such real-life women whose work helped bring Jane Austen the celebrity she now enjoys.
--In a recent edition of the Review of English Studies (abstract available here; full text requires payment), Austen scholar Janine Barchas explores the life and work of Katharine Metcalfe (1887-1978), the editor of the first scholarly edition of Pride and Prejudice, published by Oxford University Press in 1912.
You might be forgiven for thinking that the first scholarly editions of Austen’s work began appearing a decade later, under the stewardship of the magisterial R.W. Chapman. That’s the story we Janeites have always heard – the “Chapman editions” were standard reference points for Austen quoting. (Still are, in some precincts.)
A classic story of a woman done out of the credit rightfully due her by an interloping male? Well, it’s a bit more complicated than that: Chapman became Metcalfe’s husband in 1913.
Hmm. Mr. Collins, anyone?
--A belated obituary that appeared last month offered fascinating details about the life of Jean Bowden, who served from 1984 to 1994 as the curator of Jane Austen’s House Museum (aka Chawton cottage) where Austen spent the last eight years of her life and wrote or revised all six of her finished novels.
Bowden, who died in January at the age of 86, was known to me as the author of a column about the doings at Chawton that appeared regularly in the newsletter of the Jane Austen Society of North America. In her accounts of the museum’s newest acquisitions and the latest plants to bloom in the garden, Bowden came across as a charming, slightly fusty English spinster of the tea-drinking, cat-owning variety.
Turns out, however, that earlier in her career she had administered the orchid collection at the magnificent Royal Botanical Gardens at Kew. She was the first woman to go on a Kew-sponsored specimen-collecting trip – four months in Nigeria – and later published a book about a little-known British botanist. And all this before presiding over significant restoration and refurbishment at Chawton cottage, that beloved Janeite pilgrimage site.
It seems apt, somehow, that these lesser-known women should have helped nurture the flame of Austen’s fame, even as noisier folks, some of them male, got more of the credit. Jane Austen would recognize the phenomenon.
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